MAKE THIS A THING
CUTEST SHIT EVER!
Dude but what if Twisted was a story about the Big Chop omg
Qian Hongyan was just four when she lost both her legs. A speeding trucker left her for dead as she crossed the main road in her village of Zhuangshang in southern China.
For nearly two years Qian was immobile as she didn’t even have enough of her body left to sit up in a wheelchair. Doctors said her only hope of being able to move by herself again would be extensive surgery to allow her to be fitted with prosthetic limbs.Her parents couldn’t afford this treatment.
Qian’s granddad Yuan came up with a simple but effective treatment to get her moving again. He took a basketball the village boys had discarded and cut a hole just big enough for tiny Qian to fit into, padded the inside with stiff floor mats from his car, then propped her up inside. All of a sudden Qian was able to stabilize herself and was able to by move herself by rolling the ball in any direction she wanted. She supported herself using wooden handles.
From that day on Qian would not be stopped by any obstacle. She went back to school, started to play with her friends again, and started to get back the life of any girl her age. She began professional swimming training in 2007 and defied the odds of her double amputation to become one of the first members of the Yunnan Youth Swimming Club.
She won three gold medals in last year’s Yunnan Para Games and took a gold and two silver medals at the National Swimming Championship for the Disabled (Under 18) in 2009 before continuing impressively at this year’s Para Games.
I should have added this in the original post but after attention in the Chinese press, Qian traveled to Beijing to receive free artificial limbs at the China Rehabilitation Research Center, a center that has been providing help to the disabled in China for over 20 years. At 18 years old she is ready for her full adult prosthetics.
This is so important.
This honestly made me tear up. Imagining how great he must have felt that his planned worked and choosing that risk paid off.
I also feel like him and the model have such good chemistry, they’re always so kind and loving to one another.
Holy shit what did he do?? That’s rad as hell!
Since the runway was going to have simulated rain, he wanted to make the outfit become colorful because of it rather than deflect it. He sewed dye into the seams and once the rain hit it the dye ran! Very simple but super effective. He was one of the two winners of that challenge.
Absolutely brilliant. Holy shit.
Fuchsia Necklace designed by Alphonse Mucha and made by jeweler Gorges Fouquet in opal, cabochon sapphire, pearl, and gold (1905)
(via Pin de Susan Lemmon)
Breakin’ My Heart, (Pretty Brown Eyes) Mint Condition
i love this photo because at first you think that she was going to get married but instead her husband to be left her, or something like that. but actually its quite the opposite. i clicked on the source and it brought me to an article explaining the story behind this photo, and shes not crying, shes hungover. her and her husband went to a football game on their wedding day, and got extremely drunk and partied all night. they took the subway home because they couldn’t drive. so no, its not a sad heartbreaking story, its a crazy joyful one. which in my opinion makes the picture even more amazing.
CAN PEOPLE PLEASE REBLOG THE PIC WITH THIS CAPTION^ AND NOT THE ONE WHERE EVERYONE IS SAD AND ARE LIKE “POOR GIRL GOD BLESS”
This movie came out nearly 30 years ago and this statement is STILL true.
Like a moth to a flame burned by the fire. My love is blind, can’t you see my desire?
Taken as a complete artistic statement, Rhythm Nation 1814 was a stunning achievement. It married the pleasures of pop with the street energy and edge of hip-hop. It was by turns dark and radiant, calculated and carefree, political and playful, sensual and austere, sermonic and liberating. If Control announced the arrival of a young woman ready to take the reins of her personal life and career, Rhythm Nation revealed a maturing artist, surveying the world around her, determined to wake people out of apathy, cynicism, indifference. Writes Slant’s Eric Henderson, “Rhythm Nation expanded Janet’s range in every conceivable direction. She was more credibly feminine, more crucially masculine, more viably adult, more believably childlike. This was, of course, critical to a project in which Janet assumed the role of mouthpiece for a nationless, multicultural utopia.”
“We are a nation with no geographic boundaries,” declared Janet on the album’s introductory “pledge,” “pushing toward a world rid of color lines.” Just seven years earlier, black artists couldn’t get on MTV; FM radio was dominated by album-oriented (white) rock; and the music industry was largely segregated by genre. Now a black woman was at the helm of a new pop-cultural “nation,” preaching liberation through music and dance, while calling on her audience to keep up the struggle. For all the inroads, she insisted, the battle wasn’t over.
Janet Jackson’s ascendance was significant for many reasons, not the least of which was how it coincided with (and spoke to) the rise of black feminism. Until the 1980s, feminism was dominated, by and large, by middle class white women. They defined its terms, its causes, its hierarchies, its representations, and its icons. It wasn’t, of course, that black feminists didn’t exist before the 1980s. From Sojourner Truth to Harriet Tubman to Ida B. Wells to Rosa Parks to Maya Angelou—black women made enormous contributions in the struggle for racial, gender, and class equality. But their contributions were often minimized, and their struggles marginalized. As Barbara Smith writes in her landmark 1977 essay, “Toward a Black Feminist Criticism,” “Black women’s existence, experience, and culture and the brutally complex systems of oppression which shape these are in the ‘real world’ of white and/or male consciousness beneath consideration, invisible, unknown … It seems overwhelming to break such a massive silence.” [Read More]
yes Queen Janet